Songs of Exile

motif

Music made by people who can't go home. Saharan displacement, Palestinian diaspora, Saharawi refugee camps, exile as creative condition.

Not all travel is chosen. Some music is made because the place it belongs to is no longer reachable. This is different from borderless listening, borderless music celebrates the crossing. Exile music mourns what was lost and insists on return. It is made under conditions not chosen, by people who carry home in their throats because the ground itself is gone.

Transmission 05: The Longest Night

December 21, 2023

Songhoy Blues open the show. A band formed in exile after jihadist occupation drove them from northern Mali. Their name means "the blues of the Songhoy people." Signed to Atlantic Records. Desert blues as survival, as refusal, as the sound of people who will not be silenced.

Aziza Brahim follows later. Born in the Saharawi refugee camps of Western Sahara, a people who have been waiting for return since 1975. On Glitterbeat Records. "Thajliba" carries the sound of a displaced nation.

Saint Levant, born in Jerusalem during the Second Intifada and raised in Gaza, sings "Mandela" from the space between home and exile.

Transmission 06: The First Thaw

January 4, 2024

Victor Jara's "El Derecho de Vivir en Paz", the right to live in peace, sung by a man who was denied it. The Chilean poet-musician murdered by Pinochet's forces in 1973. Exile as a permanent address.

Transmission 07: Sketches of the Valley

January 18, 2024

Abdallah Oumbadougou's ishumar guitar, Tuareg desert blues as a map back home. A music born of exile, carrying the displaced across the Sahara and into the valley. Three transmissions from the displaced. The valley receives them all. It does not claim to understand. It listens.